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Yayoi Kusama has been making dot paintings since the 1950s — a compulsive, meditative practice she describes as self-obliteration, losing the self into an infinite pattern. The 1998 Tokyo exhibition poster captures that vision at its most exuberant: a riot of colour and repetition that somehow manages to feel both overwhelming and completely calm. One of the most collectible exhibition posters of the late 20th century.
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