Giles's love for subverting design tropes drew him to explore new iterations of this Sanderson archive original. The archive houses a collection of mid-late nineteenth century Trompe-l'oeil wallpaper patterns, depicting curtains, bows, ribbons and tassels.

Wilsford is cloaked in illusion, with a clever use of refined screens giving the appearance of beautifully draping fabric from a distance. Created using stylised flat colours, it suits the rotary printing technique and mimics the original document to staggering effect.

Like an aged, hazy memory of a bygone period, the design rejoices in decayed decadence, repurposed in a sumptuous, grand scale, blooming like an old house reborn.