MOLOCHS - America's Velvet Glory LPIts not a surprise to see the Molochs are on the same label as Allah Las. Like their fellow Los Angelenos, the Molochs are in thrall to that point in the mid 60s where beat groups, garage bands and psychedelic outfits began to merge into each other. Theres a drowsiness about their music they tend towards the mid tempo, Lucas Fitzsimons drawls his vocals, and the guitars jangle more than growl that means they dont quite tip over into Pebbles Nuggets
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It’s not a surprise to see the Molochs are on the same label as Allah-Las. Like their fellow Los Angelenos, the Molochs are in thrall to that point in the mid-60s where beat groups, garage bands and psychedelic outfits began to merge into each other. There’s a drowsiness about their music – they tend towards the mid-tempo, Lucas Fitzsimons drawls his vocals, and the guitars jangle more than growl – that means they don’t quite tip over into Pebbles/Nuggets territory. Which means they can’t just get by on sneers and snarls; they need melodies, too. And when they hit the sweet spot, they’re a treat: Charlie’s Lips, powered by none-more-Shindig! organ, is terrific; The One I Love sounds like a lost demo from the Leaves; No More Cryin’ ups the energy, crossing over into early Stones-styled R&B. Genre fans will love it – it’s the perfect soundtrack to pulling on your Chelsea boots and black crew-neck sweater.